Book

In 1891, J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients.

From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing’s place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career.

Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered.

Needle Work is published by McGill-Queen’s University Press as part of the McGill-Queen’s/Beaverbrook Canadian Foundation Studies in Art History Series.

Reviews

“This meticulously researched volume is essential reading on the understudied development, practice, business, and (art) history of commercial tattooing in Canada.” Lars Krutak, author of Tattoo Traditions of Native North America: Ancient and Contemporary Expressions of Identity

“A must-have for researchers, students, and tattooists wanting to better understand the history of this line of work.” Aaron Deter-Wolf, co-editor of Ancient Ink: The Archaeology of Tattooing

“A landmark publication that takes the tattoo industry as a subject for serious, extended art historical study. The book has much to reveal not only about tattooing, but about human lives in general.” Matt Lodder, author of Painted People: Humanity in 21 Tattoos

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